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Winning numbers drawn in Friday’s Delaware Play 5 Night San Francisco Chronicle
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From script to screen, how Christoph Waltz made the line legendary.
'Inglourious Basterds' (2009)
The “Bingo” scene in Inglourious Basterds (2009) is about leverage, power, and one man’s remarkable ability to smile his way through treachery.
Opposite Aldo Raine (Brad Pitt) and Smithson Utivich (B.J. Novak), the alleged winners of history, SS Colonel Hans Landa (Christoph Waltz) sloppily alters the war’s conclusion as if it were his own screenplay. The stakes are extremely high: giving away the Nazi government in return for safe travel and a new identity in the U.S. It’s a combination of theater, extortion, and diplomacy.
Then, as he describes the most daring transaction of the century, he exclaims, “That’s a bingo!” and wiggles in his chair with the joy of a child winning at a carnival game. It’s simultaneously funny, strange, and terrifying.
Although it shouldn’t, the phrase works flawlessly in a war drama. Waltz’s remarkable talent for making words dance and Tarantino’s ability to use dialogue as a weapon are both encapsulated in that one line.
Was it a bit of improvisation, Waltz’s own invention, or was it always supposed to be there? That’s what this article is going to do: provide an insight into the creation of this memorable cinematic moment.
It’s not uncommon for us, the audience, to want such memorable cinematic elements to come from spur-of-the-moment brilliance. The idea is reassuring: the actor is moved, blurts something out, and the history (and a bit of trivia) is created. Makes for a good “bloopers” video.
So people assumed Waltz must have improvised this unexpected and gleefully bizarre delivery of “That’s a bingo!” on the spot. To be fair, it seems too eccentric to have been scripted.
Tarantino’s shooting script contains the proof to the contrary. Word-for-word, the line includes Landa’s follow-up query: “Is that the way you say it? (pause) That’s a bingo!”
Tarantino wanted the contrast between a murderous Nazi and a young game-winner to be ingrained in the dialogue, so he wasn’t leaving this up to chance. The script demonstrates his meticulous planning of this rhythm, down to the peculiar phrasing that contributes to the moment’s lasting impact.
Waltz has made it clear that he doesn’t improvise. He has stated in interviews that he dislikes improvisation. “Creating a script is a writer’s job. Mine is to interpret it,” Waltz said at an interview at the Cannes Film Festival. He believes his role is to remove all of the layers that are already on the page, not to add any more.
Therefore, you are dreaming of something that never happened if you think Waltz was slinking into the scene, saying, “That’s a bingo!” His brilliance was in making the line land like no one else could, not in writing it.
The café scene is more of a performance than a surrender. In addition to haggling, Landa is proving that he is always one step ahead. He demonstrates that his survival is due to his design rather than luck by transforming what ought to have been a desperate moment into a cocky power move. The exclamation point for that show of superiority is “That’s a bingo!”
Why ‘bingo’?
Simple. It’s American, casual, and silly. As though to demonstrate that he is more familiar with his adversary’s culture than they are with his, Landa interjects it into the conversation. It’s patronizing because he is demonstrating his fluency in cultural games rather than language.
Additionally, he makes the entire situation grotesquely humorous by using it while dictating the terms of worldwide surrender. His monstrous intent is concealed by the childish enthusiasm he tactically displays.
The most effective part of Tarantino’s dialogue is this startling contrast. Even though the topic of discussion is war crimes, treachery, and rewriting history, the punctuation is appropriate for a retirement home game night. It sticks because of that clash. For precisely this reason, it belongs there even though it doesn’t.
The actor in Waltz tells the story with his whole body. He incorporates the strudel into the choreography of the scene in the café. He eats slowly, enjoying the cream, and then he casually says something that alters the outcome of the war. The verbal punchline hits even harder because of this physical relaxation.
It’s all about tone. Waltz says, “That’s a bingo!” with an almost ridiculous sense of joy. It’s lighthearted, almost like a teacher congratulating a pupil, and not ominous. He emphasizes how much he undervalues Raine and Utivich by acting as though he is explaining American idioms to them. There is a persistent dissonance as the childlike inflection contrasts with the moment’s deadly seriousness.
What follows is equally significant. Utivich and Raine don’t chuckle. Beyond disgust, they don’t even react. Their silence conveys the audience’s feelings of disgust and incredulity. The line could sound silly without those reaction shots. It becomes threatening with them. The joke is unsettling because it is one-sided.
Tarantino’s reputation is one of the reasons why viewers thought the line was an ad-lib. Even if they aren’t actively thinking so, Tarantino’s films frequently have an improvised feel. Characters ramble, the dialogue is informal, and the scenes are longer than any director would permit. Viewers are led to believe that the actors are making things up because of that feeling of looseness.
The reality is that Tarantino is renowned for his meticulousness, which results in what we call a “tight” script; a script that is lengthy, definitive, and whose dialogue is unchangeable.
Waltz’s multilingual delivery is another factor contributing to the improvised feel. Throughout the movie, Landa alternates between German, French, Italian, and English, and he does it with such ease that viewers hardly notice the script. It feels like a real-time error fixed in character when Landa exclaims the line and then stops to inquire if the line is said as he said it.
Even though this sequence was meticulously written, it has the feel of a real, genuine conversation, all because of that linguistic ambiguity.
Lastly, the distinction between spontaneity and structure is muddled throughout Waltz’s performance. His Landa is erratic, a man who can suddenly turn from courteous small talk to violence. Waltz gives a rehearsed dialogue an air of spontaneity by exhibiting that volatility.
The most obvious example of this magnetic trick is this line, where some audience members might laugh, freeze, and then wonder if they truly heard what they were told. The genius isn’t in improvisation; it’s in making it seem that way.
This line is Hans Landa distilled. He possesses the ideal balance of cunning, shrewdness, and odd charm. By the time he utters these words, we have witnessed every aspect of him, including his pragmatism and brutality. The last point is his readiness to make treachery seem like a joke, as though history was just another game he had mastered.
“That’s a bingo!” has been out of context ever since the movie came out. People frequently forget that it originated in a smug negotiation by a Nazi officer and instead incorporate it into jokes, memes, and casual conversation. The irony is that a phrase that once summed up one of the most sinister transactions in movie history is now used as a playful way to acknowledge minor triumphs. It’s the most bizarre example of pop culture detachment.
The charm that surrounds Landa’s brutality is what makes him a terrifying villain. Instead of growling, he smiles. He congratulates rather than threatens. The line establishes a new benchmark for villains in movies: the most terrifying ones disguise their feelings with wit, humor, and a dash of ridiculousness rather than outright revealing them. Actors and writers alike realized that menace isn’t always loud; it can be joyful at times.
The secret to the success of “That’s a bingo!” is accuracy, not improvisation. Together, Tarantino and Waltz transformed a scripted phrase into a memorable cultural relic. The line is a microcosm of Hans Landa, a monster who enjoys trivialities while planning atrocities; it’s more than just dialogue.
It endures because it is the pinnacle of collaboration: a writer who understood exactly what the story needed and an actor who could make the story sing without altering a single word. Waltz exposed every aspect of Landa’s distorted sense of victory in a single outburst of fake joy.
The real reason we can’t stop quoting the line lies in the chilling contradiction it carries: the world ended for millions, but for Landa, it was just another round of bingo.
One lucky winner has scooped up last night’s £113 million EuroMillions jackpot.
The jackpot money racked up £113,568,000 in Friday’s draw, with one lucky winner taking it all.
To win the jackpot money, players must match all five main numbers and the two lucky stars.
The main numbers in yesterday’s draw were 04, 17, 25, 28 and 44. The lucky stars were 05 and 11.
Start your day informed with Metro’s News Updates newsletter or get Breaking News alerts the moment it happens.
According to the National Lottery, the winning ticket was purchased in Belgium. Their jackpot will be around €129 million.
Two UK ticketholders also won big in the EuroMillions after matching all five numbers and one lucky star.
They each take home £127,713.40 in prize money.
Friday’s draw also saw one lucky winner in the UK Millionaire Maker, who took home £1 million.
The prize pot will now reset to £14,000,000 in Tuesday’s draw.
All winners must claim their prize within 180 days of the draw. Full information can be found on the National Lottery website.
The winning ticket on this occasion may have been in Belgium, but there have been plenty of winners from the UK in recent years.
The winner of the biggest-ever EuroMillons jackpot in the UK – a cool £195 million – decided to remain anonymous after netting the prize in 2022.
The runners-up, Joe and Jess Thwaite, maintain the record the biggest UK after taking home their £184 million prize.
They said the prize money gave them ‘time to dream’ and support all their family and friends.
More recently, a family from Cork in Ireland won £216 million – the largest EuroMillions prize money in Ireland’s history.
Some may not win the biggest amounts of money, but they can become winners in different ways.
This single dad, who has bowel cancer, captured the moment he revealed to his son he won £1 million in the EuroMillions.
The 51-year-old has hoped for some happier times with his two children after scooping the massive prize.
The next EuroMillions draw will take place on Tuesday with players being in with a chance of winning £14 million.
Get in touch with our news team by emailing us at webnews@metro.co.uk.
For more stories like this, check our news page.
MORE: EuroMillions National Lottery jackpot rolls over to £113,000,000 after no one wins
MORE: Surprising reason winner of $1,700,000,000 lottery jackpot isn’t totally thrilled
MORE: EuroMillions jackpot rolls over to £46,000,000 after no one wins
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The Mega Millions jackpot rose to $843 million for the lottery drawing on Friday, Nov. 7, after no one matched all the winning numbers on Tuesday, Nov. 4.
If someone matches all six numbers, they can choose a one-time cash payment of $391.7 million.
This year, there have been four Mega Millions winners. The most recent winner, from Virginia, claimed a jackpot of $348 million on June 27. Before that, an Ohio player won a $112 million jackpot on April 18. On March 25, a lucky ticket holder in Illinois took home $344 million, and earlier in the year, on Jan. 17, another winner in Arizona won $113 million.
Here are the winning numbers from the Mega Millions drawing on Friday, Nov. 7, 2025.
The winning numbers for Friday, Nov. 7, will be posted here once drawn.
Winning lottery numbers are sponsored byJackpocket, the official digital lottery courier of the USA TODAY Network.
Any Mega Millions winners will be posted here once announced by lottery officials.
To view the list of past winners,visit the Mega Millions website.
To play the Mega Millions, you have to buy a ticket. You can do this at a variety of locations, including your local convenience store, gas station or even grocery store. In some states, Mega Millions tickets can be bought online.
Once you have your ticket, you need to pick six numbers. Five of them will be white balls with numbers from 1 to 70. The gold Mega Ball ranges from 1 to 24.
If you’re feeling especially unlucky or don’t want to go through the hassle of picking, you can ask for a “Quick Pick” or an “Easy Pick.” These options let the computer randomly generate numbers for you.
Mega Millions tickets now include a built-in multiplier, which increases non-jackpot prizes by two, three, four, five, or 10 times. Before, players had to pay an extra dollar to add the “Megaplier.”
Tickets can be purchased in person at gas stations, convenience stores and grocery stores. Some airport terminals may also sell lottery tickets.
You can also order tickets online throughJackpocket, the official digital lottery courier of the USA TODAY Network, in these U.S. states and territories: Arizona, Arkansas, Colorado, Idaho, Maine, Massachusetts, Minnesota, Montana, Nebraska, New Hampshire, New Jersey, New York, Oregon, Puerto Rico, Washington, D.C., and West Virginia. The Jackpocket app lets you pick your lottery game and numbers, place your order, view your ticket, and collect your winnings — all on your phone or home computer.
Jackpocket is the official digital lottery courier of the USA TODAY Network. Gannett may earn revenue for audience referrals to Jackpocket services. Must be 18+, 21+ in AZ and 19+ in NE. Not affiliated with any State Lottery. Gambling Problem? Call 1-877-8-HOPE-NY or text HOPENY (467369) (NY); 1-800-327-5050 (MA); 1-877-MYLIMIT (OR); 1-800-981-0023 (PR); 1-800-GAMBLER (all others). Visitjackpocket.com/tos for full terms.
Fernando Cervantes Jr. is a trending news reporter for USA TODAY. Reach him at fernando.cervantes@gannett.com and follow him on X @fern_cerv_.
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Generally clear. Areas of patchy fog. Low around 70F. Winds SW at 5 to 10 mph..
Generally clear. Areas of patchy fog. Low around 70F. Winds SW at 5 to 10 mph.
Updated: November 7, 2025 @ 8:11 pm
November 7, 2025
Lauren Millo, Melissa Massey, Hayley Hardcastle, Krista Bohn and Jessica Leslie enjoy a wonderful lunch with spirits during the Bags, Bubbles & Bingo event at the Hilton’s Oceanfront Ballroom on Oct. 17.
Galveston’s finest added extra excitement to the Bags, Bubbles & Bingo event by modeling the designer handbags as the women cheered them on. The firefighters include: Rob Garcia, John Garcia, Keegan Smith and Roger Diaz Jr.
The lucky bingo winners of the designer handbags at the Bags, Bubbles & Bingo event held at the Hilton’s Oceanfront Ballroom include: Sidney Sullivan, Kelley Delesandri, Courtney Unkefer, Marika DaPron, Sara Hawkes, Lori Dochoda, Tonya Visor, Lauren Childress, Julia Stoner and Krista Bohn.
Brittany Viegas, executive director of Galveston ISD Educational Foundation, and Terry Torres-Muehe assistant director of the foundation, welcome guests to the Bags, Bubbles & Bingo event at the Hilton’s Oceanfront Ballroom.
Philesha Evans and Craig Kovacevich represented UTMB Health, which was a major sponsor of the Bags, Bubbles & Bingo event held at the Hilton’s Oceanfront Ballroom to benefit Galveston ISD Educational Foundation.
Gina Spagnola, Christine Hopkins, Lindsay Touchy, Janice Pierson and Laurie Popavich are ready to play bingo in hopes of winning designer handbags at the Bags, Bubbles & Bingo event held at the Hilton’s Oceanfront Ballroom on Oct. 17 to benefit Galveston ISD Educational Foundation.
Carla Peoples
Carla Peoples
Lauren Millo, Melissa Massey, Hayley Hardcastle, Krista Bohn and Jessica Leslie enjoy a wonderful lunch with spirits during the Bags, Bubbles & Bingo event at the Hilton’s Oceanfront Ballroom on Oct. 17.
Galveston’s finest added extra excitement to the Bags, Bubbles & Bingo event by modeling the designer handbags as the women cheered them on. The firefighters include: Rob Garcia, John Garcia, Keegan Smith and Roger Diaz Jr.
The lucky bingo winners of the designer handbags at the Bags, Bubbles & Bingo event held at the Hilton’s Oceanfront Ballroom include: Sidney Sullivan, Kelley Delesandri, Courtney Unkefer, Marika DaPron, Sara Hawkes, Lori Dochoda, Tonya Visor, Lauren Childress, Julia Stoner and Krista Bohn.
Brittany Viegas, executive director of Galveston ISD Educational Foundation, and Terry Torres-Muehe assistant director of the foundation, welcome guests to the Bags, Bubbles & Bingo event at the Hilton’s Oceanfront Ballroom.
Philesha Evans and Craig Kovacevich represented UTMB Health, which was a major sponsor of the Bags, Bubbles & Bingo event held at the Hilton’s Oceanfront Ballroom to benefit Galveston ISD Educational Foundation.
Gina Spagnola, Christine Hopkins, Lindsay Touchy, Janice Pierson and Laurie Popavich are ready to play bingo in hopes of winning designer handbags at the Bags, Bubbles & Bingo event held at the Hilton’s Oceanfront Ballroom on Oct. 17 to benefit Galveston ISD Educational Foundation.
Galveston ISD Educational Foundation’s sold-out designer bag bingo event on Oct. 17 was a rip-roaring success.
The Hilton Galveston Island Resort‘s Oceanfront Ballroom was buzzing with excitement as about 220 guests enjoyed 10 lively rounds of bingo. The event offered designer bags modeled by Galveston firefighters, along with great food and drinks, plus the chance to win many stunning designer bags — all while supporting a great cause.
Because of the community’s enthusiasm and generosity, funds raised from the event will directly support classroom grants for teachers and schools, helping to enhance learning experiences across the school district.
Organizers gave a special shout out to UTMB Health for being a sponsor and making the event possible.
Carla Peoples covers the social and nonprofit scene in Galveston. Contact her at cstayhouston@sbcglobal.net with “Seaside Scenes” in the subject line.
Carla Peoples
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