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'If this place closed it would uproot lives': The bingo regulars fearing the worst if Reeves hikes gaming tax in Budget – The Irish Sun

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Under-threat venues are as much community centres as gambling houses, with Tooting’s art-deco site a cathedral to bingo
IT’S Monday night in Tooting and a crackle of anticipation ripples through the vast art-deco temple to bingo as “eyes down” is called.
Armed with a dabber and a book of bingo cards in the packed house of 420 regulars, I’m soon struggling hopelessly to keep up with the frenetic flow of numbers.
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Yet grandmother Chantal Ramon assures me that a night at Buzz Bingo is not all about winning.
In fact, this sprawling Grade 1- listed South London venue, which once hosted performances by The Beatles and Frank Sinatra, is as much a community centre as it is a gambling house.
Widow Chantal, 78, who has driven five miles from the South London suburb of Sutton for her bingo fix, revealed: “It’s a lovely place, just to socialise and relax.
“It’s especially important to me since I lost my husband Jose.
“Instead of sitting at home in front of the box, I come out and meet people.
“I’ve been coming for 30 years and try to get here five days a week. The staff miss me if I’m not here — it’s nice to know.”
Now, like many here, she is worried Chancellor Rachel Reeves will launch a raid on gambling taxes in her November 26 Budget that could force bingo halls to shutter for good.
Backing The Sun’s Save Our Bets campaign, she added: “I don’t drink or smoke, Bingo is the one little pleasure I have.
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“Putting more tax on bingo is not fair on older people. If this place closed, it would uproot so many lives.”
With online bingo and slot gaming machines also part of its gambling portfolio, Buzz Bingo fears a mauling in this month’s Budget.
CEO Dominic Mansour, 49, revealed: “Last year we paid around £63million to the taxman — almost a third of our entire year’s turnover.
“We are still recovering from the National Insurance hit we took last year, and any further tax rises would be existential for our business.”
The Buzz Bingo chief says it would not just threaten his 2,500 staff but the painters, builders and decorators working on a current £50million refurbishment of the firm’s clubs.
The company is already clobbered with at least four different gambling taxes. There are fears that the Chancellor could raise some levies to as much as 50 per cent.
Miss the Tower of London if you have to — but don’t miss this.
It currently has 79 bingo halls, on high streets from Aberdeen to Plymouth — down from 137 before Covid hit. Some four million players still visit every year.
But the jewel in the crown is undoubtedly Tooting.
It is a cathedral to bingo, with The Times calling its Gothic interior “as dazzling as the House of Lords”.
I am greeted at the sweeping stairwell at its entrance by genial general manager Shiva Jeevah, 60, who tells me: “This place wouldn’t have survived without bingo.”
Built as the Granada Tooting picture house in 1931, the art-deco masterpiece was considered Britain’s most spectacular cinema.
Architecture critic Ian Nairn said in his 1966 guide to London’s buildings: “Miss the Tower of London if you have to — but don’t miss this.”
In the 1950s it became a concert venue. Frank Sinatra played his first ever UK date here in 1953.
Other famous acts who beat a path to Tooting include The Beatles and Rolling Stones, Jimi Hendrix, Little Richard, Roy Orbison and The Beach Boys.
Shiva tells me he got his first job in a bingo hall shortly after arriving in the UK as a student from Sri Lanka 45 years ago. “Our customers are like a family,” he added. “If a regular is missing for a few days, me and my staff ask after them.
“A few years ago I hadn’t seen someone for a while and we went to the house and they were lying on the floor inside. The police broke the door down and saved her life.”
Clubs will struggle to stay open and it will end up with staff down the dole office.
Shiva says the clientele skews toward older people in the afternoons but in the evenings the Gen Z crowd come because “they like the prices”.
On Mondays, a burger or hot dog with chips is a fiver. A pint of Carling is £4.40. It is £32 to play for an evening session — with a paper book of bingo cards, and 12 chances to win £1,000, over the course of the night.
Shiva shows me to a table in the cavernous main hall where a bingo caller holds court on a raised platform.
In between games, the jaunty theme tune from TV’s Bullseye rings out.
A family of four — including two youngsters who look in their early twenties — sit on a table nearby.
Then we are off. In these politically correct times, the bingo lingo seems to have been dispensed with. There is “two fat ladies” or “your place or mine”.
Earlier, builder Malcolm Gillman had assured me bingo was a “game of chance”, with “no skill involved”.
I beg to differ, Malcolm.
Frantically dabbing at six cards’ worth of numbers, I am left trying to remember the digits I have not yet marked off.
Soon, from amid the rows of packed tables, a shout of “Yes!” rings out.
We have a winner and it is not me.
Malcolm, 65, who drives the eight miles from Purley to Tooting three times a week to play, added: “If your numbers come up, you win. It’s as simple as that. I won £3,500 here one evening.
“I’ve been coming here since I was 20. It’s a great night out — you meet so many people.”
As for a potential tax raid on bingo by Ms Reeves, he added: “Clubs will struggle to stay open and it will end up with staff down the dole office.
“It will mean less tax for the Chancellor in the long run.
“Pubs are going, too. We’ll all end up sitting indoors doing nothing.”
Sisters Rose Miller, 70, and Marilyn McDonald, 71, have been coming to bingo for more than 40 years.
Rose said: “It’s a lovely family atmosphere here.”
Marilyn — whose biggest bingo win was £10,000 — added: “You make so many friends.
“I absolutely support The Sun’s Save Our Bets. The Chancellor should leave bingo alone.”
Mum-of-one Rose agrees, adding: “We love an evening out here.
“We’re spending our own cash which we’ve worked hard for and which has already been taxed.”
Grainne Hurst, chief executive of the Betting and Gaming Council, warns the close-knit community of bingo enthusiasts like the one I witnessed in Tooting is under threat from any tax hikes.
She said: “Campaigners are calling for a 138-per-cent tax hike on gaming.
“Such a move would punish ordinary players and put at risk the jobs and investment that support this much-loved pastime.”
For many I spoke to in South London, Buzz Bingo is more like a second home.
Retired chef Jennifer Welch Austin, 64, who visits as often as four times a week, revealed: “I meet friends here and the staff are lovely.
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“Shiva comes around offering cups of tea.
“If this place closed, I’d miss it so much.”
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Spring 2026 electives span sports, K-pop, AI and more – USC Annenberg

This spring, USC Annenberg students have the opportunity to customize their academic experience through a wide range of electives that reflect the evolving media, communication and technology landscape. From courses that dive into sports, entertainment, fashion and global storytelling to those that examine the power of AI in journalism, public relations and strategic communication, these offerings invite students to explore their interests and expand their expertise.
Designed for both undergraduate and graduate students, the electives connect classroom learning with hands-on professional experience. Students can analyze real campaigns, collaborate with industry experts, and develop creative and data-driven strategies across subjects such as audience engagement, influencer marketing, streaming media and social impact communication. With options spanning topics like K-pop, wellness culture, organizational communication, and the politics of inclusion, these courses embody USC Annenberg’s commitment to preparing students to lead and innovate in a rapidly changing world.
Students can explore the full list of USC Annenberg Spring 2026 electives below and plan their course schedule by consulting their academic advisors.
CMGT 587: Audience Analysis 
Leah Gunn
Monday, 6:30–8:50 p.m. (4 units) 
Examine how audiences think, feel and engage across media platforms. Use surveys, focus groups, segmentation and digital analytics to transform data into insights that inform effective communication strategies while considering ethics, representation and emerging tools like AI.
DSM 529: The Future of Advertising 
Rafael Bracero
Wednesday, 2–4:50 p.m. OR Wednesday, 6–8:50 p.m. (4 units)
Navigate the evolving landscape of digital advertising through real client collaborations. Build hands-on expertise in media planning, programmatic strategies, AI tools and emerging technologies that are redefining the future of advertising and brand communication.
JOUR 499: Creating with AI: Multimedia Tools for Journalism 
Olivia Smith
Tuesday, 4–5:40 p.m. (2 units) 
Explore how AI is transforming journalism through hands-on projects using tools like ChatGPT and DALL-E. Learn to create responsibly, detect misinformation and deepfakes, and navigate the ethical, legal and societal challenges of AI-driven storytelling in modern media.
PR 499: AI Tools for PR Lab 
Fred Cook
Thursday, 9 a.m.–12 p.m. (2 units) 
Gain hands-on experience with the AI tools reshaping public relations. Create content, analyze sentiment, design visuals, and use predictive analytics for campaign strategy while exploring real-world applications and ethical considerations of AI in modern communication practice.
CMGT 571: Artificial Intelligence and Communication Technologies 
Shub A
Two sections: Monday, 6–8:50 p.m. and Thursday 6–8:50 p.m. (4 units) 
Examine how AI is transforming marketing, media, and organizational communication. Through hands-on projects using tools like GPT, DALL·E, and Midjourney, develop strategic, ethical, and innovative approaches to designing and managing AI-driven communication in real-world contexts.
CMGT 509: Influential Communication in the Marketplace 
Ashley Felts
Wednesday, 5:30–8:50 p.m. (4 units) 
Explore the business and strategy behind the creator economy. Learn how influencers shape brand storytelling through partnerships, negotiations, and NIL deals, while analyzing real campaigns to identify trends, best practices, and ethical considerations in digital marketing.
COMM 499: The Illusion of Inclusion: Hollywood’s DEI Problem 
Stacy Smith
Monday/Wednesday, 12–1:50 p.m. (4 units)
Explore Hollywood’s persistent DEI challenges through the groundbreaking research of the Annenberg Inclusion Initiative. Analyze data on representation, hiring and storytelling to uncover why inclusion often falls short — and develop evidence-based strategies to drive authentic, lasting change across the entertainment industry.
COMM 494: Research Practicum 
TBD (2 units or 4 units)
Join professor Stacy Smith and the Annenberg Inclusion Initiative research team to gain hands-on experience analyzing representation in film, television, and digital media. Collect real data, contribute to globally recognized reports, and explore how research can drive equity and accountability in entertainment.
CMGT 558: International Entertainment Marketplaces 
Ted Skidmore
Tuesday, 2–4:20 p.m. (4 units) 
Discover how global audiences experience entertainment across cultures and regions. Through real-world case studies and applied projects, explore how studios and streaming platforms adapt marketing, branding, and audience engagement strategies to bring films and franchises to international markets.
DSM 599: Streaming Entertainment
Adam Fratto
Monday, 6–8:50 p.m. (4 units) 
Dive into the fast-changing world of streaming entertainment. Analyze platform strategies, audience algorithms, and business models through real-world case studies — then apply what you learn by developing and producing your own original streaming project.
CMGT 517: Communication in the Luxury Fashion Industry 
Alexis Brunswick
Monday, 2–4:20 p.m. (4 units) 
Step into the world of luxury and fashion communication to uncover how iconic brands build desire and shape culture. Through case studies and creative projects, learn how storytelling, branding, and media strategy drive influence across the global fashion industry.
COMM 406: Communicating about Sex 
Jillian Pierson
Tuesday/Thursday, 9:30–10:50 am (4 units) 
Explore how communication shapes sexual beliefs, behaviors, and health outcomes. Through open, research-based discussions, analyze cultural taboos, media influences, and interpersonal dynamics to better understand how honest dialogue can improve sexual well-being and relationships.
COMM 499: Help Yourself: Self-Help and the Wellness Industry
Alison Trope
Monday/Wednesday, 2–3:20 p.m. (4 units)
Examine the booming self-help and wellness industry through the lens of media, culture and commerce. Explore how advice, therapy and wellness content empower and exploit audiences, revealing the complex intersection of self-improvement, consumerism and social influence.
JOUR 593: Criticism and Commentary 
Oscar Garza
Monday, 12–2:30 p.m. (3 units)
Engage with some of today’s most influential cultural critics to better understand America’s social and political divides. Through readings, discussion and writing, develop your own voice in cultural commentary while analyzing how criticism helps make sense of a fractured society.
COMM 400: Crooked Studies of K-pop: Reimagining K-pop’s Dominant Discourses Through G-Dragon 
Hye Jin Lee
Monday, 2–4:50 p.m. (4 units) 
Examine K-pop through a new lens by exploring the artistry and cultural impact of G-Dragon. Challenge dominant narratives about authenticity, creativity and celebrity while analyzing how his work reshaped global perceptions of Korean pop, identity and performance.
COMM 599: Promoting i-dle in the U.S. 
Hye Jin Lee
Wednesday, 2–4:50 p.m. (4 units) 
Work directly with industry professionals to promote the global K-pop group i-dle in the United States. Gain hands-on experience in fan engagement, market research brand partnerships, and digital strategy while developing professional deliverables that bridge culture, creativity and global music marketing.
JOUR 457: Food of Our Families 
Jennifer Floto
Monday, 2–5:20 p.m. (4 units) 
Discover the art of food storytelling through writing, photography, and digital media. Create TikToks, pitch stories, and capture culinary moments across Los Angeles while developing a personal food narrative that connects culture, memory, and community.
PR 464: Advance Lifestyle Public Relations 
Jennifer Floto
Wednesday, 6–9:20 p.m. (4 units)
Delve into the fast-paced world of lifestyle public relations across fashion, food, travel and more. Through case studies, guest speakers and creative projects, develop audience insights, build brand strategies and craft a professional lifestyle PR portfolio.
COMM 360: Los Angeles: Communication and Culture 
Perry Johnson
Tuesday/Thursday, 12:30–1:50 p.m. (4 units)  
Unpack the many stories Los Angeles tells about itself through media, art, music and urban life. Examine how culture, geography and history shape the city’s identity — its dreams and inequities — while connecting classroom discussions to real-world experiences across L.A.
COMM 340: The Cultures of New Media 
Julianna Kirschner
Tuesday/Thursday, 12:30–1:50 p.m. (4 units) 
Understand how past technologies shape today’s digital culture while building practical skills for communication in social media and AI-driven spaces. Learn to create compelling, strategic content and navigate evolving platforms with confidence and purpose.
DSM 520: Managing Technologies for Digital Media
Emily Kosko
Wednesday, 2–4:50 p.m. (4 units) 
Master the essentials of managing and scaling digital media ventures in the era of creator platforms and generative AI. Gain experience evaluating technologies, building governance frameworks, and guiding cross-functional teams through real-world projects and case studies.
DSM 530: Brand Strategy for Digital Media
Jeffrey Hirsch
Tuesday, 2–4:50 p.m. (4 units)
Examine how powerful brands are built and sustained in a digital-first world. Analyze positioning, audience engagement and performance metrics while crafting strategies that balance creativity, consistency and measurable impact across platforms.
CMGT 574: Streaming Media: Industry Strategies and Practices 
Drew Shackleton
Thursday, 6:30–9:20 p.m. (4 units)  
Analyze how streaming platforms are transforming global media industries and audience behavior. Through case studies and strategy-focused projects, assess platform economics, programming, marketing, and policy to understand how disruption continues to reshape the business and culture of entertainment.
DSM 599: Social Media Algorithms
Marcela Amiune
Tuesday, 6–8:50 p.m. (4 units) 
Uncover how social media algorithms shape behavior, culture and commerce. Through real-world case studies and current events, analyze and manage algorithmic influence while examining its effects on mental health, engagement and digital strategy.
DSM 599: Leveraging Social Media for Social Impact
Misha Kouzeh
Wednesday, 6–8:50 p.m. (4 units) 
Examine how social media can be harnessed as a force for positive change. Design purpose-driven campaigns that address global challenges like climate change and inequality while emphasizing ethics, transparency, analytics and authentic audience engagement.
COMM 385: Organizational Communication  
Marlon Twyman
Tuesday/Thursday, 11 a.m.–12:20 p.m. (4 units) 
Understand how communication shapes the way organizations function and thrive. Examine workplace dynamics, leadership, negotiation and strategy while developing practical tools to navigate professional relationships, manage complexity and build effectiveness in diverse organizational settings.
JOUR 412: Podcasting: Origin Stories 
Thursday, 2–3:40 p.m. (2 units) 
Trace the evolution of podcasting from early radio to today’s global audio landscape. Explore its cultural impact, diverse storytelling forms, and technological roots through active listening, analysis, and creative engagement with groundbreaking audio works.
JOUR 525: This California Life 
Megan Donis and Sandy Tolan
Wednesday, 11 a.m.–2:20 p.m. (4 units)
Develop advanced audio storytelling skills while producing sound-rich, narrative-driven pieces for major media partners. This year’s class focuses on “After ICE Comes” — a series examining the human, social and economic impacts of immigration enforcement on Southern California communities.
DSM 599: Podcasting for Brand Building
Anika Jackson
Monday, 2–4:50 p.m. (4 units) 
Learn how to harness podcasting as a strategic tool for brand growth. Develop skills in production, audience engagement, promotion, analytics, and monetization while creating, launching and refining your own professional-quality podcast.
COMM 489: Campaign Communication 
Michael Wissot
Monday/Wednesday, 10–11:50 a.m. (4 units)         
Examine how political campaigns are built, branded and communicated in today’s polarized media environment. Analyze messaging, media strategy and voter influence while studying real elections to understand how leadership, ethics and communication shape democratic engagement.
COMM 384: Interpreting Popular Culture
Perry Johnson
Tuesday/Thursday, 9:30–10:50 a.m. (4 units)
Investigate how popular culture both reflects and shapes society. Analyze music, media and technology as sites of meaning, identity and power while learning to critically interpret how pop culture influences race, gender, class and social change.
COMM 387: Sports and Social Change 
Julianna Kirschner
Tuesday/Thursday, 3:30–4:50 p.m. (4 units) 
Analyze how sports serve as a platform for social change and cultural reflection. Study influential athletes and movements, evaluate the impact of their strategies, and develop your own approaches to addressing contemporary social issues through sport.
PR 454: Sports Public Relations 
Jeff Moeller
Monday, 6:30–8:10 p.m. (2 units) 
Develop practical experience in the fast-paced world of sports public relations. Learn to craft compelling stories, manage media relationships and navigate crisis communication through real-world exercises, guest speakers and field experiences with industry professionals.
COMM 499: Body, Justice and the Planet 
Rook Campbell
Monday/Wednesday, 2–3:20 p.m. (4 units) 
Connect sport, sustainability and social justice through hands-on learning across Los Angeles. Examine how athletic culture and industry intersect with environmental and equity issues while exploring new ways sport can inspire care, advocacy and responsibility for the planet.
PR 499: Advertising, PR and Content for a Global Sports Property 
Matt Dianella
Tuesday, 5–8:30 p.m. (4 units) 
Gain insider insight into global sports marketing through the lens of the 2026 FIFA World Cup. Analyze real campaigns from brands, athletes, and governing bodies while developing integrated advertising, PR, and content strategies for large-scale international sporting events.
COMM 599: The Road to the Special Olympics 2026 USA Games
Cindy Mori
Monday, 3–6:30 p.m. (4 units)
Go behind the scenes of major event production through the lens of the Special Olympics 2026 USA Games. Study how mission, storytelling, logistics and strategy intersect to create large-scale events that inspire inclusion, accessibility and lasting community impact.
CMGT 537: The Industry, Science and Culture of Video Games 
Steve Fowler
Tuesday, 6–8:50 p.m. (4 units) 
Discover the global video game industry through its history, culture and business. Learn how games are created, marketed and monetized across platforms while analyzing emerging technologies, industry trends and career opportunities in interactive entertainment.
USC Annenberg School for Communication and Journalism | 3502 Watt Way | Los Angeles, California 90089-0281
© 2025 University of Southern California. All Rights Reserved.

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Winning Pa. Lottery numbers for Nov. 5, 2025 – PennLive.com

Time to check your tickets.
Here are the latest winning lottery numbers from Wednesday, Nov. 5, 2025.
You can find all the lottery results, including Powerball and Mega Millions, each night on PennLive.
Pick 2 Day: 0, 3 Wild Ball: 2
Pick 2 Evening: 3, 6 Wild Ball: 7
Pick 3 Day: 4, 0, 8 Wild Ball: 2
Pick 3 Evening: 9, 7, 8 Wild Ball: 7
Pick 4 Day: 5, 0, 5, 5 Wild Ball: 2
Pick 4 Evening: 2, 0, 9, 8 Wild Ball: 7
Pick 5 Day: 6, 5, 2, 7, 8 Wild Ball: 2
Pick 5 Evening: 3, 8, 5, 8, 3 Wild Ball: 7
Treasure Hunt: 8, 10, 19, 28, 29 Next Jackpot: $50,000 (Change from last: $22,000)
Cash 5: 1, 11, 22, 35, 36 Next Jackpot: Pending
Match 6: 7, 8, 12, 15, 32, 35 Next Jackpot: Pending
Generative AI was used to pull in the lottery results for this story, based on information from the Pennsylvania Lottery, which was reviewed and edited by Advance Media staff.
Learn more about our gaming editorial staff.
If you have a gambling problem and are located in Pennsylvania, call 1-800-GAMBLER or contact the 24-hour helpline chat at https://www.pacouncil.com/chatline.
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N.Y. Lottery: Powerball second-prize winner claims $1M in one-time lump sum – SILive.com

A company that played the New York Lottery has claimed a $1 million prize for matching the first five numbers in a Powerball drawing, according to lottery officials.
The Sylvan Beach-based AA2002 Limited Liability Company (LLC) matched the numbers on April 22, with a ticket purchased at Wegmans, located at 7952 Brewerton Rd. in Cicero.
The winning numbers were: 12, 16, 33, 39, 52, and Powerball 1.
The LLC opted to receive a single lump-sum payment of $651,000, after required withholdings.
The winning numbers for the Powerball game are drawn from a field of one to 69. The Powerball number is drawn from a separate field of one to 26. In order to win the jackpot, players must match all five white balls in any order and the red Powerball number.
Powerball tickets can be purchased at any New York Lottery retailer for $2, seven days a week. The deadline for purchasing a ticket is 10 p.m. on draw nights.
Drawings are held every Monday, Wednesday and Saturday at 11 p.m., and the New York Lottery urges players to buy tickets early to avoid last-minute lines.
Players can securely check their tickets on the New York Lottery app.
Order your official Powerball tickets online at Jackpot.com and never miss a draw again. Click here to get a free ticket with your first deposit.
A Lottery draw game prize of any amount may be claimed up to one year from the date of the drawing.
The New York Lottery continues to be North America’s largest and most profitable Lottery, contributing $3.8 billion in fiscal year 2023-2024 to benefit public schools in New York State.
New Yorkers struggling with a gambling addiction, or who know someone who is, can find help by calling the State’s toll-free, confidential HOPEline at 1-877-8-HOPENY (1-877-846-7369) or by texting HOPENY (467369).
If you or a loved one has questions or needs to talk to a professional about gambling, call 1-800-GAMBLER or visit 1800gambler.net for more information.
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Mega Millions jackpot enters longest-ever stretch without a winner – Straight Arrow News

Straight Arrow News
No one has won the Mega Millions jackpot for nearly 38 weeks, which sets the longest streak without a winner since the game began in 2002.
Mega Millions started as The Big Game in 1996 and adopted its current name in 2002 and is available in 45 states, Washington, D.C. and the Virgin Islands.
Significant changes have occurred including a cross-sell expansion in 2010 that allowed states to sell both Mega Millions and Powerball tickets.
After nearly 38 weeks and a jackpot of $843 million, no one has won the Mega Millions lottery. Friday will mark the longest losing streak since the game began in 2002.
The previous record of 37 weeks was set in January 2021 after a player in Michigan hit the lucky numbers and won the $1.05 billion jackpot. The current jackpot is the eighth largest in the history of the game.
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Despite no one hitting the jackpot, lottery officials said more than a dozen people have won smaller prizes totalling more than $274 million. 
A person has a one in 290,472,336 chance to win the Mega Millions jackpot, meaning they’re 300 times more likely to be struck by lightning.
The lottery began as The Big Game in 1996, then changed its name to Mega Millions in 2002. 
Forty-five states, Washington, D.C. and the Virgin Islands participate in the game. Alabama, Alaska, Hawaii, Nevada, and Utah are the only states to not offer the game. 
The game has undergone several changes since its release. The most significant change was in 2010, after Mega Millions and Powerball, another lottery, agreed to a cross-sell expansion. This allowed states to sell both Mega Millions and Powerball tickets. In the past, states had to choose which one they could sell. 
Lottery officials said the change led to more revenue, larger jackpots and more coverage since more people from around the country could play. 
The current game format began in April, with games costing $5 each. Before April, games cost $2 each, following a format change in 2017. While many were upset with the price increase, lottery officials said the size of jackpots has increased because of the higher ticket prices.
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Officials draw the Mega Millions numbers every Tuesday and Friday night at 11 p.m. ET. The drawings are held in Atlanta at the studios of WSB-TV, the local ABC affiliate. The Georgia Lottery supervises the program.
The next drawing is on Friday at 11 p.m. ET.
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The ongoing Mega Millions streak highlights the changing dynamics of national lotteries, the impact of game modifications, and the public interest generated by growing jackpots and accessibility.
The record-setting streak without a winner draws widespread public attention and influences player behavior and perceptions about odds.
Recent updates to ticket prices and cross-selling agreements have altered the game's structure, impacting jackpot sizes and revenue.
Mega Millions’ wide availability across nearly all states underscores its role as a recurring national event with broad engagement and coverage.
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